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摘要:
Opera has been developed in China for more than a hundred years as an “imported product” in the West. But the deep-rooted traditional ideas and the artistic aesthetics accumulated over thousands of years have also given the opera a new youth in China. Among them, the most affected area is singing technique. As one of the most intuitive external performance features of opera, singing technique has been the most affected by “localization” and has created a unique singing method belonging to China. Of course, this method is not formed in one fell swoop. The purpose of this paper is to explore the process of “localization” of opera singing technique in the context of Chinese culture, and to demonstrate it completely from the forms, methods, ideas and systems of change, so as to apply the theory more deeply to practical singing and teaching.
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篇名 Discussion on the “Localization” Singing Technique Transformation of Opera in the Background of Chinese Culture
来源期刊 教育理论综述(英文) 学科 工学
关键词 OPERA LOCALIZATION SINGING TECHNIQUE Cultural BACKGROUND
年,卷(期) jyllzsyw_2019,(1) 所属期刊栏目
研究方向 页码范围 16-20
页数 5页 分类号 TP393.092
字数 语种
DOI
五维指标
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研究主题发展历程
节点文献
OPERA
LOCALIZATION
SINGING
TECHNIQUE
Cultural
BACKGROUND
研究起点
研究来源
研究分支
研究去脉
引文网络交叉学科
相关学者/机构
期刊影响力
教育理论综述(英文)
季刊
2591-7633
12 Eu Tong Sen Stree
出版文献量(篇)
160
总下载数(次)
4
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