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摘要:
It has frequently been claimed that there is a lack of tragedy in the tradition of Chinese literature.The modern Chinese tragedy is very much the result of influence from the Western theatre.This essay examines Oscar Wilde’s tragedy Saloméas an example of the significant role that Western tragedy plays in the constructing of modern tragedy as an independent genre in China.Salomé,regarded as a tragedy in the Greek manner,with its inheritance of the tradition and elements of classical Greek tragedy in terms of setting,plot,morality,ending,and style,has enabled modern Chinese dramatists to establish connections with the tradition of Western tragedy.At the same time,Wilde’s rebellious protagonist has also given modern Chinese dramatists inspiration to retrieve femme fatales from traditional Chinese literature and transfigure them into the New Woman of the postMay Fourth era.With its iconoclastic spirit and aesthetic style,Saloméhas become a trope for Chinese modernity,which is linked closely with the anti-traditional consciousness and the drive to modernize Chinese theatre and literature for the building of a new China.Therefore,it is safe to say that the deep impact of Western tragedy on modern Chinese theatre would not have been possible without the mediation of Wilde’s Salomé,and that this is true especially for modern Chinese tragedy.
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文献信息
篇名 Salomé: A Tragic Muse to Modern Chinese Drama
来源期刊 语言与符号学研究 学科 文学
关键词 SALOME Oscar Wilde TRAGEDY modern Chinese theatre modernity
年,卷(期) 2020,(1) 所属期刊栏目
研究方向 页码范围 120-143
页数 24页 分类号 I106.3
字数 语种
DOI
五维指标
传播情况
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引文网络
引文网络
二级参考文献  (34)
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研究主题发展历程
节点文献
SALOME
Oscar
Wilde
TRAGEDY
modern
Chinese
theatre
modernity
研究起点
研究来源
研究分支
研究去脉
引文网络交叉学科
相关学者/机构
期刊影响力
语言与符号学研究
季刊
2096-031X
32-1859/H
The School of Foreig
28-471
出版文献量(篇)
206
总下载数(次)
1
总被引数(次)
0
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