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摘要:
The incessant flow of,content and data through digital platforms implicates humanity to immaterial modes of transacting identity and memory.Through the image of the "Napalm Girl"this paper traces the ways in which iconic images and memory can be remediated through social media platforms and algorithms.The re-contextualisation of history and memory through a technological gaze implicates us within new forms of vulnerabilities.By reviewing the politics of looking and watching online in digital platforms,the paper invites us to ponder over the flattening of memory and history through algorithms and a "digital morality"and "mortality"encoded through "user agreements"and "community standards".The repressing of this moral gaze weaves us into a social media economy where morality and ethics are refashioned through a viral economy where images are circulated, altered and reframed through digital technologies.The wider implications of this "virality"for humanity,memory making and historicity are explored.
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篇名 Transacting Memory in the Digital Age:Modernity, Fluidity and Immateriality
来源期刊 复旦人文社会科学论丛:英文版 学科 社会科学
关键词 FLUIDITY IMMATERIALITY Modernity ALGORITHMS SOCIAL MEMORY
年,卷(期) 2018,(4) 所属期刊栏目
研究方向 页码范围 453-464
页数 12页 分类号 C
字数 语种
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研究主题发展历程
节点文献
FLUIDITY
IMMATERIALITY
Modernity
ALGORITHMS
SOCIAL
MEMORY
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研究来源
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引文网络交叉学科
相关学者/机构
期刊影响力
复旦人文社会科学论丛:英文版
季刊
1674-0750
31-2000/C
Fudan University, 22
4-813
出版文献量(篇)
576
总下载数(次)
2
总被引数(次)
0
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