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摘要:
Theories of aesthetics have represented aesthetic object as a framed,distanced and contemplated individual piece to be appreciated.In particularly to be symbolized as pure,objects of appreciation must be approached with complete objectivity regardless of its function.In architecture,“purity”can be understood as the formal or structural elements visible,or pure of any ornament.But,in the philosophical-aesthetic sense,purity is of“disinterest”manner.Aesthetic concepts and values are“free”and“pure”in the Kantian sense that they are not derived from any priori grounds.This vision has been challenged by environmental and everyday aesthetics,in which they bring everyday environments and matters into consideration as possible objects of aesthetic appreciation.In this paper,I will discuss the importance of aesthetics in the dwelling sense and whether aesthetics is a matter of value in the reminiscent memory of the dweller.Moreover,question the ambiguous term“pure”in architecture and whether this term is correct in the dwellers sense.
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篇名 Phenomenology in Pure Aesthetics
来源期刊 土木工程与建筑:英文版 学科 哲学
关键词 AESTHETICS DWELLING Heidegger PURITY architecture.
年,卷(期) 2020,(3) 所属期刊栏目
研究方向 页码范围 168-173
页数 6页 分类号 B83
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研究主题发展历程
节点文献
AESTHETICS
DWELLING
Heidegger
PURITY
architecture.
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引文网络交叉学科
相关学者/机构
期刊影响力
土木工程与建筑:英文版
月刊
1934-7359
武汉洪山区卓刀泉北路金桥花园C座4楼
出版文献量(篇)
1394
总下载数(次)
3
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0
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