中国早期电影的理论重建:集体感官机制、白话现代主义与新型文化史学

• 作者: 张英进
• 来源期刊: 中美人文学刊
• 学科: 文学
• 关键词: early cinema COLLECTIVE sensorium VERNACULAR MODERNISM new cultural history media ARCHAEOLOGY
• 年，卷（期）: 2019,（1）
• 页码范围: 1-28
• 页数: 28页
• 分类号: J909.2

摘要

This article seeks to evaluate the current theorization of early Chinese cinema by forging a multilayered dialogue—dialogue among the group working on vernacular modernism in Chinese cinema,between this group and early cinema theory in general,between early cinema theory and new cultural history in Western humanistic disciplines,and between film and literature in cultural history of modern China. To facilitate such a dialogue,I organize conceptual and methodological issues under three headings—collective sensorium,vernacular modernism,and new cultural history. While I closely engage the works of Miriam Hansen and Zhang Zhen,I also bring in Leo Lee’s and Bao Weihong’s methodologies and reference the newest development in a media archaeology of film history and theory.