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The notion of communication is in essence that of information transmission in its simplest form—the semiotic encoding and decoding of messages that occur in every type of language,be that written,verbal,non-verbal,or animal.Taking form in an Aristotelian syllogism,this paper argues that graffiti constitutes its own art form that must be equally represented,examined,appreciated,and documented.By exploring how graffiti is art,how art is language,and therefore how graffiti is language,this paper seeks to expand its audience’s understanding of how artworks are underpinned by a similar semiotic structure to that of the written or verbal.Through theory and case studies of contemporary graffiti artists and their works,the notion of graffiti as a language that can be read and contextualized comes to life in a way that is both grounded in history and stunningly creative.
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篇名 Graffiti as Art as Language:The Logic of a Modern Language
来源期刊 哲学研究:英文版 学科 哲学
关键词 GRAFFITI SEMIOTICS LANGUAGE ART
年,卷(期) 2019,(5) 所属期刊栏目
研究方向 页码范围 223-232
页数 10页 分类号 B
字数 语种
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研究主题发展历程
节点文献
GRAFFITI
SEMIOTICS
LANGUAGE
ART
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引文网络交叉学科
相关学者/机构
期刊影响力
哲学研究:英文版
月刊
2159-5313
武汉洪山区卓刀泉北路金桥花园C座4楼
出版文献量(篇)
672
总下载数(次)
2
总被引数(次)
0
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